Rhyme, Reason, Rogue

Popular culture is often othered in conservative theses as inferior and [or because it is] foreign. Scholarship views on popular music Nigeria have been sometimes inattentive to the extent that musical forms gone entrench themselves recognizable local forms. This article compares older are now canonized—such jùjú highlife—with Nigerian Yoruba hip hop show peculiar historical factors justify latter’s cultural heterodoxy. The dominant morality emerged defiantly divergent from earlier stress formal education legitimate industry. Importantly, performance has evolved a protocol of social criticism first presents itself acquiescent and/or reprobate. Also, existing conceptualization acts hidden even public] transcripts complicated by novel strategy mimicry found form.